Painting

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One of the most ancient Crete masters form the end of XV and early XVI century.

 

Category: 
Painting
Personal information: 
The most important representative Crete fresco school. (1422-1492).
Place of birth and location: 
Crete
Greece
35° 14' 24.4212" N, 24° 48' 33.3684" E
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Gender: 
Мушки
Делокруг рада: 
Painting
Year of birth: 
1422
Country of Birth: 
Greece
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Aksentije was born in Subotica, son of Maksim the tailor and mother Ljubica. In Subotica he lived until age of 13th. He moved to Senta, where he studied painting at Petar Pilić from 1851. to 1855. At the beginning of 1960s he moved to Vienna. Street in Subotica has his name.

 

 

Category: 
Painting
Nickname: 
Šarac
Personal information: 
Academic painter, representative of romanticism. Born in Subotica 20.02.1838. and died in Novi Sad 20.03.1909.
Date of birth: 
Tuesday, February 20, 1838
Place of birth and location: 
Subotica
Serbien
46° 6' 1.0008" N, 19° 39' 56.0016" E
See map: Google Maps
Date of death: 
Saturday, March 20, 1909
Place of death and location : 
Novi Sad
Serbien
45° 15' 0" N, 19° 51' 0" E
See map: Google Maps
Gender: 
Мушки
Epoch: 
Romanticism
Year of birth: 
1838
Country of Birth: 
Serbia
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Date: 

(Exact date of birth is unknown)

Biography: 

Primary school and sixted grade of high school, Jovan ended in Novi Sad. He continued his education in Kluž and began study Law. He painted the icons in the old Orthodox church in Novi Sad.

The most important Klajić works are icons in "Bajša" (1857) and "Stari Vrbas" (1861)

 

Category: 
Painting
Personal information: 
He was Serbian painter, iconographer and portraitist. (1815.Novi Sad — 14. July1888. Turija)
Place of birth and location: 
Novi Sad
Serbia
45° 15' 0" N, 19° 51' 0" E
See map: Google Maps
Date of death: 
Saturday, July 14, 1888
Place of death and location : 
Turija
Serbia
45° 32' 15" N, 19° 51' 25.9992" E
See map: Google Maps
Gender: 
Мушки
Works: 
Virgin Mary with Christ
Year of birth: 
1815
Country of Birth: 
Serbia
English
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Biography: 

Đorđe Krstić was a renowned Serbian realist painter. He is often ranked alongside his contemporaries, Paja Jovanović and Uroš Predić. Krstić finished his education in Munich, Germany, where he began his early works under the influence of German realism up until 1883. Some significant works of this early period include The Drowning Maiden, Anatomist, and The Gospel Writer. In Serbia, Krstić moved his style of painting from a realist tone to a more idyllic one, with paintings such as Kosovo Field Landscape, From the Surroundings of Čačak, From Leskovac, Studenica, and Žiča. In his later years, Krstić began painting a number of iconostases in Čurug and Niš, of which include the controversial Death of Prince Lazar.

Category: 
Painting
Personal information: 
Đorđe was born in Stara Kanjiža on 19. april 1851 and died in Belgrade, 30. oktobar 1907. Serbia
Date of birth: 
Saturday, April 19, 1851
Place of birth and location: 
Kanjiža
Serbia
46° 4' 36.4332" N, 20° 3' 20.7756" E
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Date of death: 
Wednesday, October 30, 1907
Place of death and location : 
Beograd
Serbia
44° 48' 58.3812" N, 20° 27' 4.1904" E
See map: Google Maps
Gender: 
Мушки
Epoch: 
Realism
Institution: 
SANU(Serbian Academy of Sciences and Arts)
Year of birth: 
1851
Country of Birth: 
Serbia
Title: 
Virgin of the passion
English
Description: 
Among the art works of the Armenian Church Virgin with Christ (Virgin of the passion)which stood on one of the two side walls of the nave should be pointed out . It is a modified copy of the famous Cretan icon, which was painted by Andrea Rico (1422-1492)the most important representative of the Cretan School of Icon Painting, in the late 15th century. The picture is part of the exhibition "Armenian Church in Novi Sad - deleted heritage," by the author Ljiljana Lazic, art historian and museum counselor.
Place of origin of the cult. artefact: 
Rome
State of origin of the cult. artefact: 
Italy
History: 
In October 1963, in Novi Sad, St.George the Enlightener, popularly called the Armenian Church was demolished. For more than two centuries, this temple has witnessed the efforts of its believers and priests to build, maintain, restore and preserve. Unfortunately, in the decades after World War II, it shared the fate of the Armenians vanished from Novi Sad. Demolition of the Armenian Church is a non-volatile error in the post-war urban planning of Novi Sad. Part of the old center of the city, whose urban pattern was established in the early 18th century, has been sacrificed to the modern architecture and the new junction. In the clash of old and new, the church has been characterized as a "worthless piece of architecture," whose existence is not necessary. Generations of citizens of Novi Sad were also deprived of a part of heritage, unique in its cultural, religious and architectural significance. Of the life and last years of the existence of the Armenian Church and its small community extensive archival, documentary and photographic material, which reveals all the circumstances that led to the tragic and unnecessary demolition, remained preserved. Part of the precious legacy of the church is now kept in the Museum of the City of Novi Sad, and, after half a century, testifies to the former appearance of the Church of St.. George the Enlightener.
Copyright: 
City Museum of Novi Sad
Creator: 
Srdjan Veselinov
Style: 
Byzantium
Type of cultural artefact: 
Painting
Formats of digital document: 
Image
Images: 
Name of the original: 
Bogorodica strasna
Part of the art: 
St. George the Illuminator
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Institution: 
The City Museum of Novi Sad
Period: 
Painting
Title: 
St. George the Illuminator
English
Author: 
Hugo Jekel
Description: 
Main altar painting in Armenian church was made by Hugo Jekel, painter form Vienna. On painting is St. Gregory the Illuminator, the most important armenian national saint. Painting is a part of exhibition "Armenian church in Novi Sad - lost heritage", author Ljiljane Lazić, Historian of art and museum counselor.
History: 
In October 1963, in Novi Sad, church of St. George the Illuminator was demolished, popularly called the Armenian Church. For more than two centuries, this temple has witnessed the efforts of its believers and priests to build, maintain, restore and preserve it. Unfortunately, in the decades after World War II, it shared the fate of the Armenians vanished in Novi Sad. Demolition of the Armenian church is a an indelible error in the post-war urban planning of Novi Sad. Part of the old center of the city, whose urban matrix that was established in the early 18th century, has been sacrificed to modern architecture and the new junction. In the clash of old and new, the church was described as "worthless architectural work," whose existence is not necessary. Generations citizens of Novi Sad are so deprived of part of the heritage, unique in its cultural, religious and architectural significance. An extensive archival, documentary and photographic material, which reveals all the circumstances that led to the tragic and unnecessary demolition and the life last years of the existence of the Armenian Church and its small community has survived. Part of the precious legacy of the church is now housed in the Museum of the City of Novi Sad and, after half a century, testifies to the former appearance of the Church of Sv. George the Illuminator.
Copyright: 
City Museum of Novi Sad
Technique: 
Oil on canvas
Type of cultural artefact: 
Painting
Formats of digital document: 
Image
Images: 
Year of creation: 
1896
Name of the original: 
Sv. Georgije Prosvetitelj
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Institution: 
The City Museum of Novi Sad
Period: 
Painting
Title: 
Danube coast
English
Author: 
Aleksandar Ivanovich Lazhechnikov
Description: 
The work is part of the exhibition "White Russia" in Museum of Vojvodina, by senior curator Veselinka Markovic and Aleksandar Petijević.
State of origin of the cult. artefact: 
Serbia
Description: 
The work is part of the exhibition "White Russia" in Museum of Vojvodina, by senior curator Veselinka Markovic and Aleksandar Petijević. October Revolution of 1917 started a civil war in Russia, which has led to deaths and emigration of large numbers of people. After the civil war and the defeat of the White Army units, over two million people left their homeland. It was the largest political emigration in the 20th century. The largest number of Russian refugees arrived in the Kingdom of SHS after leaving the southern region of Russia. Most of the refugees started their exile from major Black Sea ports of Odessa, Novorusijsk, Feodosia, Sevastopol, Kerch. From 1919 to 1923, in five immigration waves over Istanbul, Gallipoli and Salonika in the Kingdom has been about 40,000 Russians. Nearly one-fifth of refugees (about 8,000) has found its refuge in the towns and cities of Backa, Banat, Baranja, and Srem. Among Russian refugees in the Kingdom of Serbs, along the soldiers and officers, a part of the Russian intellectual elite and aristocracy with broad education also arrived. A number of secondary military schools - cadet corps girl's Institutes were evacuated from Russia into the Kingdom of SHS. The first Russian colonies in Vojvodina were established in Zemun and Pancevo, then in Novi Sad, Subotica, Great Beckerek, Sombor, Vršac and Bela Crkva. In 1921 the Russian refugees were deployed in more than 80 villages and towns of Srem, Banat, Backa and Baranja. Rural areas were inhabited by the Cossacks, organized into cells. Within the colonies, kindergartens, primary and secondary schools, libraries, and numerous other Russian institutions were established. Of particular importance was the constitution of the Russian Orthodox Church Abroad in Sremski Karlovci. Through the activities of the above institutions spiritual connection of refugee Russians with their homeland cherished. A significant number of Russian intellectuals filled a major gap in culture, education, science and economy of the newly formed Kingdom of Serbs.
History: 
The work is part of the exhibition "White Russia" in Museum of Vojvodina, by senior curator Veselinka Markovic and Aleksandar Petijević. October Revolution of 1917 started a civil war in Russia, which has led to deaths and emigration of large numbers of people. After the civil war and the defeat of the White Army units, over two million people left their homeland. It was the largest political emigration in the 20th century. The largest number of Russian refugees arrived in the Kingdom of SHS after leaving the southern region of Russia. Most of the refugees started their exile from major Black Sea ports of Odessa, Novorusijsk, Feodosia, Sevastopol, Kerch. From 1919 to 1923, in five immigration waves over Istanbul, Gallipoli and Salonika in the Kingdom has been about 40,000 Russians. Nearly one-fifth of refugees (about 8,000) has found its refuge in the towns and cities of Backa, Banat, Baranja, and Srem. Among Russian refugees in the Kingdom of Serbs, along the soldiers and officers, a part of the Russian intellectual elite and aristocracy with broad education also arrived. A number of secondary military schools - cadet corps girl's Institutes were evacuated from Russia into the Kingdom of SHS. The first Russian colonies in Vojvodina were established in Zemun and Pancevo, then in Novi Sad, Subotica, Great Beckerek, Sombor, Vršac and Bela Crkva. In 1921 the Russian refugees were deployed in more than 80 villages and towns of Srem, Banat, Backa and Baranja. Rural areas were inhabited by the Cossacks, organized into cells. Within the colonies, kindergartens, primary and secondary schools, libraries, and numerous other Russian institutions were established. Of particular importance was the constitution of the Russian Orthodox Church Abroad in Sremski Karlovci. Through the activities of the above institutions spiritual connection of refugee Russians with their homeland cherished. A significant number of Russian intellectuals filled a major gap in culture, education, science and economy of the newly formed Kingdom of Serbs.
Copyright: 
Museum of Vojvodina
Type of cultural artefact: 
Painting
Formats of digital document: 
Image
Images: 
Name of the original: 
Dunavska obala
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Institution: 
Museum of Vojvodina
Period: 
Painting
Title: 
Sarajevo
English
Author: 
Aleksandar Ivanovich Lazhechnikov
Description: 
The work is part of the exhibition "White Russia" in Museum of Vojvodina, by senior curator Veselinka Markovic and Aleksandar Petijević.
State of origin of the cult. artefact: 
Srbija
History: 
The work is part of the exhibition "White Russia" in Museum of Vojvodina, by senior curator Veselinka Markovic and Aleksandar Petijević. October Revolution of 1917 started a civil war in Russia, which has led to deaths and emigration of large numbers of people. After the civil war and the defeat of the White Army units, over two million people left their homeland. It was the largest political emigration in the 20th century. The largest number of Russian refugees arrived in the Kingdom of SHS after leaving the southern region of Russia. Most of the refugees started their exile from major Black Sea ports of Odessa, Novorusijsk, Feodosia, Sevastopol, Kerch. From 1919 to 1923, in five immigration waves over Istanbul, Gallipoli and Salonika in the Kingdom has been about 40,000 Russians. Nearly one-fifth of refugees (about 8,000) has found its refuge in the towns and cities of Backa, Banat, Baranja, and Srem. Among Russian refugees in the Kingdom of Serbs, along the soldiers and officers, a part of the Russian intellectual elite and aristocracy with broad education also arrived. A number of secondary military schools - cadet corps girl's Institutes were evacuated from Russia into the Kingdom of SHS. The first Russian colonies in Vojvodina were established in Zemun and Pancevo, then in Novi Sad, Subotica, Great Beckerek, Sombor, Vršac and Bela Crkva. In 1921 the Russian refugees were deployed in more than 80 villages and towns of Srem, Banat, Backa and Baranja. Rural areas were inhabited by the Cossacks, organized into cells. Within the colonies, kindergartens, primary and secondary schools, libraries, and numerous other Russian institutions were established. Of particular importance was the constitution of the Russian Orthodox Church Abroad in Sremski Karlovci. Through the activities of the above institutions spiritual connection of refugee Russians with their homeland cherished. A significant number of Russian intellectuals filled a major gap in culture, education, science and economy of the newly formed Kingdom of Serbs.
Copyright: 
Museum of Vojvodina
Type of cultural artefact: 
Painting
Formats of digital document: 
Image
Images: 
Year of creation: 
1930
Name of the original: 
Sarajevo
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Institution: 
Museum of Vojvodina
Period: 
Painting
Title: 
Ohrid motive
English
Author: 
Aleksandar Ivanovich Lazhechnikov
Description: 
The work is part of the exhibition "White Russia" in Museum of Vojvodina, by senior curator Veselinka Markovic and Aleksandar Petijević.
State of origin of the cult. artefact: 
Serbia
History: 
The work is part of the exhibition "White Russia" in Museum of Vojvodina, by senior curator Veselinka Markovic and Aleksandar Petijević. October Revolution of 1917 started a civil war in Russia, which has led to deaths and emigration of large numbers of people. After the civil war and the defeat of the White Army units, over two million people left their homeland. It was the largest political emigration in the 20th century. The largest number of Russian refugees arrived in the Kingdom of SHS after leaving the southern region of Russia. Most of the refugees started their exile from major Black Sea ports of Odessa, Novorusijsk, Feodosia, Sevastopol, Kerch. From 1919 to 1923, in five immigration waves over Istanbul, Gallipoli and Salonika in the Kingdom has been about 40,000 Russians. Nearly one-fifth of refugees (about 8,000) has found its refuge in the towns and cities of Backa, Banat, Baranja, and Srem. Among Russian refugees in the Kingdom of Serbs, along the soldiers and officers, a part of the Russian intellectual elite and aristocracy with broad education also arrived. A number of secondary military schools - cadet corps girl's Institutes were evacuated from Russia into the Kingdom of SHS. The first Russian colonies in Vojvodina were established in Zemun and Pancevo, then in Novi Sad, Subotica, Great Beckerek, Sombor, Vršac and Bela Crkva. In 1921 the Russian refugees were deployed in more than 80 villages and towns of Srem, Banat, Backa and Baranja. Rural areas were inhabited by the Cossacks, organized into cells. Within the colonies, kindergartens, primary and secondary schools, libraries, and numerous other Russian institutions were established. Of particular importance was the constitution of the Russian Orthodox Church Abroad in Sremski Karlovci. Through the activities of the above institutions spiritual connection of refugee Russians with their homeland cherished. A significant number of Russian intellectuals filled a major gap in culture, education, science and economy of the newly formed Kingdom of Serbs.
Copyright: 
Museum of Vojvodina
Technique: 
Oil on canvas
Type of cultural artefact: 
Painting
Formats of digital document: 
Image
Images: 
Year of creation: 
1930
Name of the original: 
Ohridski motiv
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Institution: 
Museum of Vojvodina
Period: 
Painting

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