Image

Title: 
Virgin Mary with Christ
English
Author: 
Description: 
A small icon with an image of the Virgin with Christ was painted in 1846 by Jovan Klajić, one of many Serbian painters trained at the Vienna Academy. During his life he painted a great number of icons of this type, mostly for private orders from Novi Sad. As a representative of Biedermeier - Nazarene directions in Serbian painting in the 19th century, this icon was painted in this style.
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic
Copyright: 
City Museum of Novi Sad
Creator: 
Srdjan Veselinov
Epoch: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Власник записа: 
Year of creation: 
1846
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Title: 
Enciklopedija Novog Sada br. 28
Authors: 
Description: 
Enciklopediju Novog Sada čini sveobuhvatni pojmovi o istorijskim i znamenitim ličnostima, događajima, institucijama u oblasti kulture, religije, privrede, urbanizma, zdravstva i sporta, o manifestacijama nacionalnog značaja, a prvenstveno o znamenitim ljudima i porodicama koji su u prošlosti zadužili grad značajnim doprinosom i našim savremenicima što što svojim stvaralaštvom danas proslavljaju ime grada.
Place of origin of the cult. artefact: 
Novi Sad
State of origin of the cult. artefact: 
Serbia
Description: 
Encyclopedia of Novi Sad is made of overarching concepts about historical and famous people, events, cultural institutions, religion, economy, health care, sports etc. that marked city of Novi Sad through last decades.
Signature: 
Inv. Br.: 163296/8, 29.05.2007
Copyright: 
The city library of Novi Sad
Identifier: 
ISBN: 978-86-84097-23-3
Printing: 
"Stojkov"
Printing place: 
Novi Sad
Publisher: 
Novosadski klub
Place of publication: 
Novi Sad
Cobiss identifier: 
222093831
Type of language of cultural artefact: 
Slavic
Material: 
Paper
Type of cultural artefact: 
Book
Formats of digital document: 
Image
Year of creation: 
2007
Period: 
Prose
Name of the original: 
Enciklopedija Novog Sada br. 28
Title: 
Icon of Virgin Mary with Christ
English
Description: 
Icon of the Virgin with the Christ comes from the mid-18th century, and was painted in tempera on panel. Featured characters, style of painting, abundant use of gold and the style of letters refer to the workshop of Jov Vasilijevic, the court's painter of Patriarch Arsenius IV Sakabenta. His activity has influenced the introduction of Russian and Ukrainian influence in Serbian painting of the 18th century.
State of origin of the cult. artefact: 
Serbia
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic
Copyright: 
City Musem of Novi Sad
Creator: 
Srdjan Veselinov
Type of cultural artefact: 
Formats of digital document: 
Images: 
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Title: 
Encyclopedia of Novi Sad no. 29
Authors: 
Description: 
Encyclopedia of Novi Sad is made of overarching concepts about historical and famous people, events, cultural institutions, religion, economy, health care, sports etc. that marked city of Novi Sad through last decades.
Place of origin of the cult. artefact: 
Novi Sad
State of origin of the cult. artefact: 
Serbia
Signature: 
Inv. Br.: 191103/8, 05.09.2008.
Copyright: 
The city library of Novi Sad
Identifier: 
ISBN: 86-84097-23-8
Printing: 
"Stojkov"
Printing place: 
Novi Sad
Publisher: 
Novosadski klub
Place of publication: 
Novi Sad
Cobiss identifier: 
213913095
Type of language of cultural artefact: 
Slavic
Material: 
Paper
Type of cultural artefact: 
Book
Formats of digital document: 
Image
Year of creation: 
2008
Period: 
Prose
Name of the original: 
Enciklopedija Novog Sada
Title: 
Iconostasis with scenes of the Passion of Christ
English
Description: 
Four preserved fragments from 12 usual scenes from the Passion of Christ cycle, originate probably from some construction of small chapel iconostasis or Sepulcher of Christ. The rocaille style of painting and woodcarving in the oval-shaped cartouches refers to the seventh or eighth decade of the 18th century and the activity of icon painter Dimitrije Popovic, who at that time lived in Novi Sad and Sremski Karlovci.
Place of origin of the cult. artefact: 
Novi Sad ( Sremski Karlovci)
State of origin of the cult. artefact: 
Serbia
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic
Copyright: 
City Musem of Novi Sad
Creator: 
Srdjan Veselinov
Type of cultural artefact: 
Formats of digital document: 
Images: 
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Title: 
The cross with the Crucifixion of Christ
English
Contributor: 
Description: 
One of the most representative works of the religious character of in the museum collection is a cross with a representation of the Crucifixion of Christ. It originates from the top of the iconostasis of the chapel choir of the Orthodox Cathedral of Sremski Karlovci, and the work of one of the most important Serbian painters of the 18th century - Teodor Dimitrijevic Kracun. Based on the style and manner of the painting, it could be said that this work comes from the best period of his creativity. Floral carvings of the cross, in the rococo style, were done by the famous woodcarver from Novi Sad Arsenije Markovic, whose workshop at that time was the most active workshop in Vojvodina.
Place of origin of the cult. artefact: 
Novi Sad ( Sremski Karlovci)
State of origin of the cult. artefact: 
Serbia
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic
Copyright: 
The City Museum of Novi Sad
Creator: 
Srdjan Veselinov
Style: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Title: 
Baroque cabinet
English
Description: 
Well preserved baroque cabinet is made in one of the best Central European workshops in the late 17th or early 18th century. Massive construction, a way of molding, articulation of surfaces and decorative trim are typical furniture of this period, and the solid finish made it possible for a long lifetime and use for many generations. Cabinet belonged to Novi Sad collector and physician Dr. Branko Ilic.
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic.
Copyright: 
The City Museum of Novi Sad
Creator: 
Srdjan Veselinov
Style: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Власник записа: 
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Title: 
Master's license
Type of language of cultural artefact: 
Roman
Period: 
Administrative document
Year of the document: 
1773
Material: 
Paper
Type of cultural artefact: 
Text
Description: 
Statute (Master's license) of confectioners`, leceders` and carpenters` association from 1773.
Place of origin of the cult. artefact: 
Novi Sad
State of origin of the cult. artefact: 
Serbia
Note: 
This document contains eight papers, handwritten in ink, well preserved and readable.
Copyright: 
Histirical archive of Novi Sad
Formats of digital document: 
Image
Title: 
Virgin of the passion
English
Description: 
Among the art works of the Armenian Church Virgin with Christ (Virgin of the passion)which stood on one of the two side walls of the nave should be pointed out . It is a modified copy of the famous Cretan icon, which was painted by Andrea Rico (1422-1492)the most important representative of the Cretan School of Icon Painting, in the late 15th century. The picture is part of the exhibition "Armenian Church in Novi Sad - deleted heritage," by the author Ljiljana Lazic, art historian and museum counselor.
Place of origin of the cult. artefact: 
Rome
State of origin of the cult. artefact: 
Italy
History: 
In October 1963, in Novi Sad, St.George the Enlightener, popularly called the Armenian Church was demolished. For more than two centuries, this temple has witnessed the efforts of its believers and priests to build, maintain, restore and preserve. Unfortunately, in the decades after World War II, it shared the fate of the Armenians vanished from Novi Sad. Demolition of the Armenian Church is a non-volatile error in the post-war urban planning of Novi Sad. Part of the old center of the city, whose urban pattern was established in the early 18th century, has been sacrificed to the modern architecture and the new junction. In the clash of old and new, the church has been characterized as a "worthless piece of architecture," whose existence is not necessary. Generations of citizens of Novi Sad were also deprived of a part of heritage, unique in its cultural, religious and architectural significance. Of the life and last years of the existence of the Armenian Church and its small community extensive archival, documentary and photographic material, which reveals all the circumstances that led to the tragic and unnecessary demolition, remained preserved. Part of the precious legacy of the church is now kept in the Museum of the City of Novi Sad, and, after half a century, testifies to the former appearance of the Church of St.. George the Enlightener.
Copyright: 
City Museum of Novi Sad
Creator: 
Srdjan Veselinov
Style: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Name of the original: 
Bogorodica strasna
Part of the art: 
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Period: 
Title: 
St. George the Illuminator
English
Author: 
Description: 
Main altar painting in Armenian church was made by Hugo Jekel, painter form Vienna. On painting is St. Gregory the Illuminator, the most important armenian national saint. Painting is a part of exhibition "Armenian church in Novi Sad - lost heritage", author Ljiljane Lazić, Historian of art and museum counselor.
History: 
In October 1963, in Novi Sad, church of St. George the Illuminator was demolished, popularly called the Armenian Church. For more than two centuries, this temple has witnessed the efforts of its believers and priests to build, maintain, restore and preserve it. Unfortunately, in the decades after World War II, it shared the fate of the Armenians vanished in Novi Sad. Demolition of the Armenian church is a an indelible error in the post-war urban planning of Novi Sad. Part of the old center of the city, whose urban matrix that was established in the early 18th century, has been sacrificed to modern architecture and the new junction. In the clash of old and new, the church was described as "worthless architectural work," whose existence is not necessary. Generations citizens of Novi Sad are so deprived of part of the heritage, unique in its cultural, religious and architectural significance. An extensive archival, documentary and photographic material, which reveals all the circumstances that led to the tragic and unnecessary demolition and the life last years of the existence of the Armenian Church and its small community has survived. Part of the precious legacy of the church is now housed in the Museum of the City of Novi Sad and, after half a century, testifies to the former appearance of the Church of Sv. George the Illuminator.
Copyright: 
City Museum of Novi Sad
Technique: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Year of creation: 
1896
Name of the original: 
Sv. Georgije Prosvetitelj
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Period: 

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