Painting

Title: 
Miniatures - Portraits of a married couple
English
Description: 
Unknown author. Exhibited miniatures were made in the first third of the 19th century, which could be concluded on the basis of costumes portrayed persons. These types of portraits were painted in gouache technique on ivory leaf and required great skill, which is visible in these works. Miniatures were especially popular during the Rococo to Biedermeier, but with the advent of photography in the mid 19th century this type of painting was suddenly gone.
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic
Copyright: 
City Museum of Novi Sad
Creator: 
Srdjan Veselinov
Technique: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Власник записа: 
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Title: 
Portrait of a woman with necklace
English
Description: 
Unknown author. Smaller image size, which shows a young woman, is an excellent Biedermeier portrait with characteristic details of jewelry, hairstyles and costumes of the mid 19th century. Many of Novi Sad's families hired domestic and traveling artists for making such representative portraits in which family members are shown at their best.
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic
Copyright: 
City Museum of Novi Sad
Creator: 
Srdjan Veselinov
Epoch: 
Style: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Власник записа: 
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Title: 
Portrait of Marija Milašinović
English
Description: 
Picture with the image of of Maria Milashinovic is a typical example of Biedermeier portraits in our community, and its author, Nikola Aleksic, is one of the most important representatives of the Serbian portrait painting in the 19th century. As in his other works, the artist set the character in a sitting position, with the presence of dark and neutral background, and presented all details of the face and clothes with darker palette of tones.
State of origin of the cult. artefact: 
Serbia
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic
Copyright: 
City Museum of Novi Sad
Creator: 
Srdjan Veselinov
Type of cultural artefact: 
Formats of digital document: 
Images: 
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Period: 
Title: 
City hall in Novi Sad
English
Author: 
Description: 
Painting of impressive dimensions and expressionist tune is the work of Milan Cirlic, representative of post-war generation of artists from Novi Sad. The author presents one of the most impressive buildings of Novi Sad, former Magistrate, today called Town Hall. The painting was created in 1959 presents an interesting detail which no longer exist - the tram which passes through the center of town.
Place of origin of the cult. artefact: 
Novi Sad
State of origin of the cult. artefact: 
Serbia
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic
Copyright: 
City Museum of Novi Sad
Creator: 
Srdjan Veselinov
Type of cultural artefact: 
Formats of digital document: 
Images: 
Year of creation: 
1959
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Title: 
Portrait of Marija Vuchetic
English
Author: 
Description: 
The portrayal of the portrait of Marija Vučetić, wife of Novi Sad lawyer Ilija Vučetić and a woman who was very active in the social life of Novi Sad in the late 19th and early 20th century. The author of the portrait is a famous Serbian painter Marko Murat, who resided in Novi Sad in the summer of 1897, working on paintings by order. The work is exceptional for its artistic qualities, because it is one of the first modern paintings in the local environment, with visible effects of plein air painting and Impressionism.
Place of origin of the cult. artefact: 
Novi Sad
State of origin of the cult. artefact: 
Serbia
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic
Copyright: 
City Museum of Novi Sad
Creator: 
Srdjan Veselinov
Type of cultural artefact: 
Formats of digital document: 
Images: 
Year of creation: 
1897
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Title: 
Family Zharich
English
Description: 
Painting "Family Zharic" is an example of archaic and naive perceived performances of three generations of a middle-class family in Novi Sad. Zoltan Chergei, an amateur painter who was involved in the creation of this group portrait, painted all family members, identifying them in the lower part of the figure, and the motive of the saint-protector with Christ and the Virgin, probably at the request of the person who ordered. These details have been part of the traditional iconography that had long persisted in the local civil society.
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic
Copyright: 
City Museum of Novi Sad
Creator: 
Srdjan Veselinov
Type of cultural artefact: 
Formats of digital document: 
Images: 
Place of the location: 
Serbia
45° 14' 58.794" N, 19° 50' 12.642" E
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Title: 
Virgin of the passion
English
Description: 
Among the art works of the Armenian Church Virgin with Christ (Virgin of the passion)which stood on one of the two side walls of the nave should be pointed out . It is a modified copy of the famous Cretan icon, which was painted by Andrea Rico (1422-1492)the most important representative of the Cretan School of Icon Painting, in the late 15th century. The picture is part of the exhibition "Armenian Church in Novi Sad - deleted heritage," by the author Ljiljana Lazic, art historian and museum counselor.
Place of origin of the cult. artefact: 
Rome
State of origin of the cult. artefact: 
Italy
History: 
In October 1963, in Novi Sad, St.George the Enlightener, popularly called the Armenian Church was demolished. For more than two centuries, this temple has witnessed the efforts of its believers and priests to build, maintain, restore and preserve. Unfortunately, in the decades after World War II, it shared the fate of the Armenians vanished from Novi Sad. Demolition of the Armenian Church is a non-volatile error in the post-war urban planning of Novi Sad. Part of the old center of the city, whose urban pattern was established in the early 18th century, has been sacrificed to the modern architecture and the new junction. In the clash of old and new, the church has been characterized as a "worthless piece of architecture," whose existence is not necessary. Generations of citizens of Novi Sad were also deprived of a part of heritage, unique in its cultural, religious and architectural significance. Of the life and last years of the existence of the Armenian Church and its small community extensive archival, documentary and photographic material, which reveals all the circumstances that led to the tragic and unnecessary demolition, remained preserved. Part of the precious legacy of the church is now kept in the Museum of the City of Novi Sad, and, after half a century, testifies to the former appearance of the Church of St.. George the Enlightener.
Copyright: 
City Museum of Novi Sad
Creator: 
Srdjan Veselinov
Style: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Name of the original: 
Bogorodica strasna
Part of the art: 
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Period: 
Title: 
St. George the Illuminator
English
Author: 
Description: 
Main altar painting in Armenian church was made by Hugo Jekel, painter form Vienna. On painting is St. Gregory the Illuminator, the most important armenian national saint. Painting is a part of exhibition "Armenian church in Novi Sad - lost heritage", author Ljiljane Lazić, Historian of art and museum counselor.
History: 
In October 1963, in Novi Sad, church of St. George the Illuminator was demolished, popularly called the Armenian Church. For more than two centuries, this temple has witnessed the efforts of its believers and priests to build, maintain, restore and preserve it. Unfortunately, in the decades after World War II, it shared the fate of the Armenians vanished in Novi Sad. Demolition of the Armenian church is a an indelible error in the post-war urban planning of Novi Sad. Part of the old center of the city, whose urban matrix that was established in the early 18th century, has been sacrificed to modern architecture and the new junction. In the clash of old and new, the church was described as "worthless architectural work," whose existence is not necessary. Generations citizens of Novi Sad are so deprived of part of the heritage, unique in its cultural, religious and architectural significance. An extensive archival, documentary and photographic material, which reveals all the circumstances that led to the tragic and unnecessary demolition and the life last years of the existence of the Armenian Church and its small community has survived. Part of the precious legacy of the church is now housed in the Museum of the City of Novi Sad and, after half a century, testifies to the former appearance of the Church of Sv. George the Illuminator.
Copyright: 
City Museum of Novi Sad
Technique: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Year of creation: 
1896
Name of the original: 
Sv. Georgije Prosvetitelj
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Period: 
Title: 
Danube coast
English
Description: 
The work is part of the exhibition "White Russia" in Museum of Vojvodina, by senior curator Veselinka Markovic and Aleksandar Petijević.
State of origin of the cult. artefact: 
Serbia
Description: 
The work is part of the exhibition "White Russia" in Museum of Vojvodina, by senior curator Veselinka Markovic and Aleksandar Petijević. October Revolution of 1917 started a civil war in Russia, which has led to deaths and emigration of large numbers of people. After the civil war and the defeat of the White Army units, over two million people left their homeland. It was the largest political emigration in the 20th century. The largest number of Russian refugees arrived in the Kingdom of SHS after leaving the southern region of Russia. Most of the refugees started their exile from major Black Sea ports of Odessa, Novorusijsk, Feodosia, Sevastopol, Kerch. From 1919 to 1923, in five immigration waves over Istanbul, Gallipoli and Salonika in the Kingdom has been about 40,000 Russians. Nearly one-fifth of refugees (about 8,000) has found its refuge in the towns and cities of Backa, Banat, Baranja, and Srem. Among Russian refugees in the Kingdom of Serbs, along the soldiers and officers, a part of the Russian intellectual elite and aristocracy with broad education also arrived. A number of secondary military schools - cadet corps girl's Institutes were evacuated from Russia into the Kingdom of SHS. The first Russian colonies in Vojvodina were established in Zemun and Pancevo, then in Novi Sad, Subotica, Great Beckerek, Sombor, Vršac and Bela Crkva. In 1921 the Russian refugees were deployed in more than 80 villages and towns of Srem, Banat, Backa and Baranja. Rural areas were inhabited by the Cossacks, organized into cells. Within the colonies, kindergartens, primary and secondary schools, libraries, and numerous other Russian institutions were established. Of particular importance was the constitution of the Russian Orthodox Church Abroad in Sremski Karlovci. Through the activities of the above institutions spiritual connection of refugee Russians with their homeland cherished. A significant number of Russian intellectuals filled a major gap in culture, education, science and economy of the newly formed Kingdom of Serbs.
History: 
The work is part of the exhibition "White Russia" in Museum of Vojvodina, by senior curator Veselinka Markovic and Aleksandar Petijević. October Revolution of 1917 started a civil war in Russia, which has led to deaths and emigration of large numbers of people. After the civil war and the defeat of the White Army units, over two million people left their homeland. It was the largest political emigration in the 20th century. The largest number of Russian refugees arrived in the Kingdom of SHS after leaving the southern region of Russia. Most of the refugees started their exile from major Black Sea ports of Odessa, Novorusijsk, Feodosia, Sevastopol, Kerch. From 1919 to 1923, in five immigration waves over Istanbul, Gallipoli and Salonika in the Kingdom has been about 40,000 Russians. Nearly one-fifth of refugees (about 8,000) has found its refuge in the towns and cities of Backa, Banat, Baranja, and Srem. Among Russian refugees in the Kingdom of Serbs, along the soldiers and officers, a part of the Russian intellectual elite and aristocracy with broad education also arrived. A number of secondary military schools - cadet corps girl's Institutes were evacuated from Russia into the Kingdom of SHS. The first Russian colonies in Vojvodina were established in Zemun and Pancevo, then in Novi Sad, Subotica, Great Beckerek, Sombor, Vršac and Bela Crkva. In 1921 the Russian refugees were deployed in more than 80 villages and towns of Srem, Banat, Backa and Baranja. Rural areas were inhabited by the Cossacks, organized into cells. Within the colonies, kindergartens, primary and secondary schools, libraries, and numerous other Russian institutions were established. Of particular importance was the constitution of the Russian Orthodox Church Abroad in Sremski Karlovci. Through the activities of the above institutions spiritual connection of refugee Russians with their homeland cherished. A significant number of Russian intellectuals filled a major gap in culture, education, science and economy of the newly formed Kingdom of Serbs.
Copyright: 
Museum of Vojvodina
Type of cultural artefact: 
Formats of digital document: 
Images: 
Name of the original: 
Dunavska obala
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Institution: 
Period: 
Title: 
Sarajevo
English
Description: 
The work is part of the exhibition "White Russia" in Museum of Vojvodina, by senior curator Veselinka Markovic and Aleksandar Petijević.
State of origin of the cult. artefact: 
Srbija
History: 
The work is part of the exhibition "White Russia" in Museum of Vojvodina, by senior curator Veselinka Markovic and Aleksandar Petijević. October Revolution of 1917 started a civil war in Russia, which has led to deaths and emigration of large numbers of people. After the civil war and the defeat of the White Army units, over two million people left their homeland. It was the largest political emigration in the 20th century. The largest number of Russian refugees arrived in the Kingdom of SHS after leaving the southern region of Russia. Most of the refugees started their exile from major Black Sea ports of Odessa, Novorusijsk, Feodosia, Sevastopol, Kerch. From 1919 to 1923, in five immigration waves over Istanbul, Gallipoli and Salonika in the Kingdom has been about 40,000 Russians. Nearly one-fifth of refugees (about 8,000) has found its refuge in the towns and cities of Backa, Banat, Baranja, and Srem. Among Russian refugees in the Kingdom of Serbs, along the soldiers and officers, a part of the Russian intellectual elite and aristocracy with broad education also arrived. A number of secondary military schools - cadet corps girl's Institutes were evacuated from Russia into the Kingdom of SHS. The first Russian colonies in Vojvodina were established in Zemun and Pancevo, then in Novi Sad, Subotica, Great Beckerek, Sombor, Vršac and Bela Crkva. In 1921 the Russian refugees were deployed in more than 80 villages and towns of Srem, Banat, Backa and Baranja. Rural areas were inhabited by the Cossacks, organized into cells. Within the colonies, kindergartens, primary and secondary schools, libraries, and numerous other Russian institutions were established. Of particular importance was the constitution of the Russian Orthodox Church Abroad in Sremski Karlovci. Through the activities of the above institutions spiritual connection of refugee Russians with their homeland cherished. A significant number of Russian intellectuals filled a major gap in culture, education, science and economy of the newly formed Kingdom of Serbs.
Copyright: 
Museum of Vojvodina
Type of cultural artefact: 
Formats of digital document: 
Images: 
Year of creation: 
1930
Name of the original: 
Sarajevo
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Institution: 
Period: 

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